3/6/2023 0 Comments Youtube tunesmith![]() ![]() The boom box was playing her new song, a noisy mish-mash of what sounded like raucous Tamil gaana - a form of Tamil fast beat slum rap - over hip hop grooves. I met MIA a couple of years ago on the Jamaica seafront where she was shooting a music video for a new album. I am now not surprised that the gritty girl rapper and the reclusive composer bonded so well. She did the vocals in England, I did the rest in India." We started working in India, then we e-mailed the track back and forth. ![]() Somebody played me her CD and I thought, who is this girl? She came here and knew all my work, had followed my work for ages. "We met before but we never worked before," he told one interviewer. Rahman uses MIA's Paper Planes - the singer rapping over a compelling sample riff and a rousing chorus line with gunshots and cash registers jingling in the background - in Slumdog. No wonder he discovered the music of MIA, aka Maya Arulpragasam, the war child turned feisty alternative rapper, who very few people in India had heard before Slumdog. Rahman is also globalisation's favourite child, always abreast of the world music that is making waves. Even this year, he is working on several Tamil and Telugu films, and only two Hindi films.Īnd that is one of the reasons why the 43-year-old composer has often reached out to little-known new singers and musicians from all over the country to lend their voices and instruments to his songs and score. Rahman cut his teeth scoring music for southern Indian films in the Telugu and Tamil languages, before scoring for Bollywood. It helps that he remains the outsider in Bollywood - the world's most incestuous film industry. Rahman says he is impressed with MIA's music Rahman, instead, is an alchemist of sounds and voices, mixing and melting them in a potion that is usually a joy for the ear and soul. Like many film composers, he is not a particularly gifted vocalist or a player. ![]() The golden statue is a global recognition of Rahman's enormous talent. But it works because it follows the film's giddy pace, the darkness of its characters, its portrayal of lives on the edge. The score is an untidy smorgasbord of hip hop, Bollywood remix and signature pop anthem. Seventeen years after he began writing music and songs for films, the jingle maker-turned-musician has finally got recognition as India's first truly global film music composer with his score for Danny Boyle's sleeper hit Slumdog Millionaire. It was late in the evening, and trombone loops floated down the stairs from the state-of-the art studio above. "We make a lot of noise here," one of Rahman's assistants told me wryly when I paid a visit a few years ago. The backyard music studio is also AR Rahman's atelier. The curiously named Panchathan Record Inn is a nondescript building tucked away in the thriving film district of the southern Indian city of Chennai (Madras). The BBC's Soutik Biswas discusses what makes Rahman tick. Indian music director AR Rahman's score for Slumdog Millionaire has won an Oscar for best music, and a second for best song. Rahman is a composer with a staggering range ![]()
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